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Friday, 30 November 2012

The Excellent Tin House Submission Guidelines

Submission Guidelines & FAQ | Magazine | Tin House


Tin House Theme Issues

Weaccept submissions September 4 through May 31, and, as always, our summer and winter issues are not
themed (see below for the inevitable exception to the rule). We consider each submission for all upcoming issues regardless of theme, however, please feel free to make a note in your cover letter if you wish to be considered
for a particular theme. We have provided suggested deadlines for each theme issue, but please be aware that
 these fill up fast, so get your theme - issue submissions in as soon as possible. Tin House is reading for
Summer, 2013, an open, non-themed issue. The deadline for this issue is January 14, 2013. We are also
reading for the our Fall 2013 issue, which has a theme of WILD. We are looking for fiction, nonfiction, poetry,
interviews, and Lost & Founds about the Wild--untamed places, people, things, events, happenings, and
experiences. Unmediated, unfiltered, from the past, present, or future. Or, conversely, simulated
and mediated wildness or wilderness. Surprise us, please. The deadline to submit to this issue is April 15, 2013.

Guidelines

Please submit only one story or essay (ten-thousand-word limit), or up to five poems at a time. Multiple
submissions will be returned unread. We shall do our best to respond within three months, however, in some
cases this period may be longer. If you have not received a response from us within ninety days, we will be happy
to respond to your e-mail inquiries. We do ask that you please wait until you hear back from us before submitting
new work for consideration. Tin House does accept simultaneous submissions. In the event that the work is
accepted for publication elsewhere, please do us the courtesy of informing us promptly. Only previously
unpublished works will be considered for publication. Our reading period is September 1-May 31; submissions
received outside this reading period will be returned unread. Cover letters should
include a word count and indicate whether the submission is fiction, nonfiction, or poetry. Also, please note
whether or not you would like your manuscript returned. Manuscripts transmitted via fax or e-mail will not be accepted
for consideration.
Only those processed through our online submission manager or sent by regular mail will be considered for
publication. Submissions can be mailed to Tin House, PO Box 10500, Portland, OR 97210. Please enclose an SASE
(include an IRC with international submissions), or we cannot guarantee a response to or the return of your work.
For those of you interested in submitting your work electronically, using our dandy online submission manager
(we call her Tina), you are invited to do so now. Simply click here to get started.

Do you accept genre fiction?
Although we read fiction of all stripes and frequently publish work that crosses or bends genre lines, we do strongly recommend that all submitters familiarize themselves with Tin House before sending work.
My manuscript comes in just over 10,000 words, but it's really worth a read!
Unless you are able to shave it down to 9,999, it will be returned unread. We apologize if this seems militant, but, as they say, we have to draw the line somewhere. If your manuscript seems long, and there is no WORD COUNT included in your cover letter, it will be returned unread.
Why are your rejection notes so robotic and impersonal?
It’s mostly a matter of volume; with over 1,000 submissions received each month during our reading period, we must unfortunately be very ruthless in our selection process. It keeps some of us up at night. Please, please don’t take it personally.
Could you please tell me why you didn't accept my story?
See above. We just don’t have the time to comment on individual submissions. We wish we could.
Who reads my submissions?
We have a volunteer crew of about twenty-five readers. All of our readers have an extensive background in the literary arts and most have advanced degrees in English or writing or both. They are put through a grueling gauntlet before being offered a position. Submissions are also read by our editorial interns, who hold an equally competitive position and are extensively vetted. Finally, most of the magazine’s editorial staff read submissions on an ongoing basis, as well.

Submissions - Dzanc Books - The Collagist

Submissions - Dzanc Books


Submissions Guidelines



The Collagist reads submissions year-round. All submissions for fiction, poetry, non-fiction, and novel excerpts should be sent through our online submission manager, where you’ll also find our complete guidelines.
If you are interested in reviewing books for The Collagist, please send finished reviews and pitches for reviews (as well as all other review inquiries) addressed to Book Review Editor Gabriel Blackwell atbookreviews@thecollagist.com.
Thank you in advance for giving us the chance to consider your work for The Collagist. Any questions regarding submissions may be directed toeditor@thecollagist.com.

Firebombs by Hiedi Reimer

A lovely, very well written story over at Little Fiction.

Firebombs

A new short story prize, courtesy of The White Review » Spectator Blogs

http://www.thewhitereview.org/the-white-review-prize/?utm_source=The+White+Review+Mailing+List&utm_campaign=9bf61da319-The_White_Review_SSP&utm_medium=email


About The White Review Short Story Prize
The White Review Short Story Prize is an annual short story competition for emerging writers. Made possible by the generous support of the Jerwood Charitable Foundation, the prize awards £2,500 to the best piece of short fiction by a writer resident in the UK and Ireland who has yet to secure a publishing deal.
The judges will be looking for short stories that explore and expand the possibilities of the form. We encourage submissions from all literary genres, and there are no restrictions on theme or subject matter. We would only emphasise that the prize was founded to reward ambitious, imaginative and innovative approaches to creative writing.
Award
Novelist Tom McCarthy, author of Men in SpaceRemainder and the Man Booker-shortlisted C, will announce the winner at a prize-giving ceremony in London in April 2013.
In addition to the £2,500 prize, the winner will be published in a quarterly print issue of The White Review. Writers to have been published by The White Reviewinclude Joshua Cohen, César Aira, Deborah Levy, D. W. Wilson, Helen DeWitt, Federico Falco, K. J. Orr, Jesse Ball and many others.
The winner will have the chance to meet with jury member and literary agent Karolina Sutton to discuss their writing, plans for future work and possible routes to publication.
Up to seven shortlisted writers will have their work published online and receive feedback from the editors of The White Review.
Jury
We are delighted to have assembled a prestigious panel of judges to decide the award.
Deborah Levy writes fiction, plays and poetry. Her work has been staged by the Royal Shakespeare Company, and she is the author of highly praised novels including Beautiful MutantsSwallowing Geography and Billy and Girl. Her latest novel Swimming Home was shortlisted for the 2012 Man Booker Prize.
Alex Bowler is editorial director at Jonathan Cape. He has edited Tom McCarthy, Martin Amis, Ian McEwan, Julian Barnes, Audrey Niffenegger, Kevin Barry and Grant Morrison.
Karolina Sutton is a senior agent at Curtis Brown. She notably represents Cormac McCarthy, Siri Hustvedt and Haruki Murakami. 
Dates
- The prize will be open to submissions on 1 December 2012
- Submissions will close on 1 March 2013. No entries will be considered if submitted after 1 March 2013 (12 noon GMT).
- A shortlist will be announced on 15 March 2013.
- The winner will be announced at a prize-giving ceremony in London in April 2013.
Terms and Conditions
Please read these eligibility and entry rules carefully before beginning the online entry process. Submission of an entry is taken as acceptance of the entry rules. For any queries not covered below, please email editors@thewhitereview.org.
1) The competition is open to unpublished writers residing in Great Britain and Ireland only.
2) There is an entry fee of £15.00. All proceeds go to The White Review (Charity Number: 1148690), which ‘specialises in the publication of artistically or educationally meritorious works of new or emerging artists and writers’, and will help to ensure the future viability of the short story prize.
3) Entrants must pay the entry fee of £15 in order to be eligible.
4) Only submissions received and paid for by 12 noon March 1st (GMT) will be considered.
5) Entries that are not paid for, incomplete, are corrupted or submitted after the deadline will not be considered.
6) The entry must be the entrant’s own original creation and must not infringe upon the right or copyright of any person or entity.
7) Writers who have existing contracts, or who have previously held contracts, with publishers for works of fiction are not eligible to enter.
8) Writers who have published work in magazines and journals are eligible to enter.
9) Writers who have published books of non-fiction are eligible to enter.
10) Entries must be 2,000 words minimum, 7,000 words maximum.
11) Writers may submit one story only.
12) The story must be written in English (no translations).
13) Submissions must be made by the author of the short story.
14) There are no age restrictions.
15) When submitting, please include a short covering letter including your contact details, your name and the title of your story. 
16) Submissions from writers residing outside of Great Britain and Ireland will not be considered.
17) The first page should include the title of the story and the number of words (but not the name of the author, which should not be visible on the manuscript). 
18) All submissions should include page numbers.
19) Entries will only be accepted via the online entry form. Submissions must be in one of the following formats: .pdf, .doc, .docx, .rtf, .txt. 
20) The story must be original and should not have been previously published anywhere in full or in part. Published work is taken to mean published in any printed, publicly accessible form, e.g. anthology, magazine, newspaper. It is also taken to mean published online, with the exception of personal blogs and personal websites.
21) Long-listed and short-listed entrants will be notified by email when they have made the list.
22) Unsuccessful entrants will not be contacted.
23) No editorial feedback will be provided to unsuccessful entrants.
24) The decision of the judges is final and no correspondence will be entered into regarding the judging process.
25) The White Review will have the exclusive right to publish the winning and shortlisted stories for six months from first publication in The White Review. After six months, the rights will revert to the authors, who may publish the stories elsewhere so long as they appropriately credit The White Review.
26) Submission to the short story prize is not a condition for publication in The White Review. Writers can still submit their work for consideration via the usual routes.
27) Only submissions which meet all Terms and Conditions will be considered.
28) By entering this competition, each entrant agrees to be bound by these Terms and Conditions.

Haunted Waters Press Submissions

Submissions

Online Literary Content
Theme: None
Media: Online/Electronic/Digital
Publication Date: Rolling
Deadline: Ongoing, no deadline

Haunted Waters Press is currently seeking works of prose, creative nonfiction and poetry to be included as part of our online literary content. We are looking for short stories of 3500 words or less, flash fiction of any length, creative nonfiction of 1500 words or less, and poetry. 

Ideal for writers who prefer not to be bound by theme based submissions, there are no limitations other than what you will find in ourSubmissions Guidelines under “What we are looking for...” Works submitted here will be always be considered for upcoming issues of From the Depths. 

Submissions will be accepted through our ONLINE SUBMISSIONS MANAGER. We accept multiple submissions but request that you have no more than four submissions pending. Please no simultaneous submissions. Your four submissions may be in any combination of prose, creative nonfiction or poetry. If you use Duotrope, we request that you report each individual work submitted.  Authors receive exposure only, no monetary payment.

Please review our Submission Guidelines prior to submitting for details on formatting your submission.

Ready to submit? Click the link:

Penny Fiction: A Flash Fiction Writing Competition

Submissions


Penny Fiction: A Flash Fiction Writing Competition
Theme: Exceptional Works of Flash Fiction
Media: Online/Electronic/Digital (Print issues forthcoming.)
Publication Date: Winter 2012 issue of From the Depths
Deadline: November 30, 2012

Haunted Waters Press editor, Penny Dreadful, is selecting exceptional works of flash fiction to be showcased in Penny Fiction, a regular feature of the literary journal, From the Depths.  Entries are not bound by themes, just seriously good writing. 

Contest Rules for the Winter 2012 Issue:
  1. Entries accepted by email only. Subject: Penny Fiction Winter 2012
  2. A short story told in 50 words or less. 
  3. Previously unpublished works only.
  4. Type your entry in the body of the email.
  5. One entry per email.
  6. Multiple entries okay. One is fine. Four is cool. Twenty is borderline obnoxious.
  7. Include one interesting fact about yourself in under 13 words. No cut ‘n paste author bios. Undertakers and cat herders earn extra points. If we do not find you interesting, we reserve the right to make you appear more interesting.
  8. No attachments, cover letters, links, or long lists of previously published work.
  9. Like us on Facebook. (Not required, but it can’t hurt.)
  10. Penny Fiction is a “for the love of the flash” project. Authors receive exposure only, no monetary payment. Not even a penny.
  11. Haunted Waters Press holds electronic and print publishing rights for ninety days following publication, archival rights forever. Copyright remains with the author.
  12. Entry is taken to be acceptance of these conditions and rules.

Ready to submit? Click the link:

Submissions for the Winter 2012 anniversary issue of our quarterly literary journal, From the Depths

Submissions


From the Depths: Winter Issue 2012
Theme: A Life Less Ordinary, Exceptional Works of Poetry & Fiction
Media: Online/Electronic/Digital (Print issues forthcoming.)
Publication Date: December 2012
Deadline: November 30, 2012

Haunted Waters Press is currently seeking works of prose, creative nonfiction and poetry for the Winter 2012 anniversary issue of our quarterly literary journal, From the Depths. We are looking for short stories of 3500 words or less, flash fiction of any length, creative nonfiction of 1500 words or less, and poetry. Selected works may also appear as part of our online literary content. 

The anniversary issue of From the Depths will feature serious, character driven works focusing on the human experience. We are looking for elegantly written fiction and poetry that create an emotional connection with the reader. Think love and loss, triumph over adversity, defining moments in an otherwise mundane life, desperate measures in desperate times, ordinary people and extraordinary circumstances, the ends justify the means. Characters should be well developed, interesting, and complex, and may be morally or emotionally flawed. Good does not always have to prevail. While a fairy tale ending is fine, it must be believable and hard won.  Poetry should be clear, meaningful and accessible. With attention to detail, it should capture a moment and create a snapshot from a life less ordinary.

Submissions will be accepted through our ONLINE SUBMISSIONS MANAGER. We accept multiple submissions but request that you have no more than four submissions pending. No simultaneous submissions. Your four submissions may be in any combination of prose, creative nonfiction or poetry. If you use Duotrope, we request that you report each individual work submitted.  Authors receive exposure only, no monetary payment.

Please review our Submission Guidelines prior to submitting for details on formatting your submission.

Ready to submit? Click the link:


Do not submit entries for Penny Fiction here. See below for flash fiction challenge details



Thursday, 29 November 2012

Hawthorne Citation - Excellence in Short Fiction

The Hawthorne Citation | Recognizing Excellence in Short Fiction


Micro Fiction
  • Anchor by Darrin Moir
  • August at the Fair by Natalie McNabb
  • In Triplicate by Tania Hersman (winner)
Flash Fiction
  • Bulletproof by Divya Raghaven
  • Divestiture by Bruce Holland Rogers
  • Flowers for Clockwork Street by Jennifer R. Fierro (winner)
Short-Short
  • Of Checkers and Noodle Soup by Matt Mok
  • Storming the High Hill by Richard Bell
  • The Hero Garden by Folly Blaine (winner)
Short Story
  • Alysse by David Keith
  • Chevvitz, the Ram by Michael Postel
  • The Lake and the River by Benjamin Kensey (winner)
Novelette
  • A Long Walk Home by Jay Lake
  • The Choice by Paul McAuley
  • White Elephant Stew by Nelson Pahl (winner)

Flash Fiction Submissions Guidelines

Flash Fiction Submissions Guidelines


Flash Fiction Submissions

Free Flash Fiction is open for submissions! Please read this page thoroughly before you submit.

The Most Important Things

  • We accept flash fiction stories that are 200-1000 words.
  • We're mostly interested in original stories that have not been published already. We will consider a reprint if it hasn't been published online.
  • Even though flash fiction is short, each story still needs a setting, character(s), plot, conflict, and resolution. We're not interested in anything that reads like a blog post, book report, or a slice of life. Read our Tips from the Editorfor more on this.
  • We do accept and encourage unpublished authors to submit.
  • We do not accept poetry or fiction formatted like poetry.
  • We only accept stories written in English, but you can live anywhere in the world.

Submitting

Multiple Submissions: No. Please only send us one submission at a time. Don't send another until we have responded to the first one.
Simultaneous Submissions: Yes! You can send us a story and then send it to another publication at the same time. Just be aware that if we accept your story first, you give us the right to publish it at freeflashfiction.com. If someone else accepts the story before we get back to you, let us know right away so that we can take it out of our queue.

Genres

This website is organized into the following genres: Action & Adventure, Literary & Contemporary, Horror & Thrillers, Romance & Erotica, Satire & Humor, Science Fiction & Fantasy. This should cover just about any story. These genres are really just for organizational purposes, so don't worry if your story doesn't exactly fit into any of them. We accept all types of stories.

What We Don't Want

  • We don't want depressing stories. Many people have been experiencing hard times lately, and it's theraputic to write about that. However, we don't want to send more sadness out into the world. Dark and scary is totally fine -- we just don't want "these terrible things happened and in the end it was all terrible."
  • We don't want stories that advocate hate or violence against any person or group of people, or stories that claim that members of this or that political party or religion are all nutjobs.
  • Speaking of politics and religion ... a little is okay, but we'd rather the story wasn't centered around it. Best to save it for your Thanksgiving dinner.
  • We don't want stories detailing activities that are illegal in your country of residence.
  • We don't want stories that have poor spelling or grammar, or that haven't been proofread.
  • We don't want a summary of a longer story. A flash fiction story should be a whole story with a setting, character(s), plot, conflict, and resolution.
  • We don't want fan fiction or stories based in another author's universe.
  • We don't want your blog posts. Keep those on your blog.
Read our Tips from the Editor for more information that will help you be successful.

Method

Stories can be submitted online as plain text via our submission form (at the bottom of this page). We don't accept any submissions by mail or as email attachments.

Rights

Here are the basics of our contract:
When you submit a story to Free Flash Fiction, you agree to let us publish it at freeflashfiction.com indefinitely, with exclusive rights for one year. (This means that we can show the story on our website forever, but after one year you're free to submit it elsewhere.) You also agree to let us include the story in a digital anthology. You state that you are the owner and author of the story. You state that the story has not yet been published online. Read the full contract.

Payment

Free Flash Fiction is not currently offering payment, but submitting your story here is a great way for new authors to get their work published. The stories here are provided free to read, so there is no barrier in place that will prevent readers from seeing your stories. You can include one URL in your author bio, so you can choose to link to your own website, your book on Amazon, your Twitter account, etc. All that being said, we would like to offer payment and might be able to in the future.

Submission Requirements : 1000words

Submission Requirements : 1000words


SUBMISSION REQUIREMENTS

We are open to submissions.
1000words is looking for previously unpublished flash-fiction of between 100 and 1000 words in length. The stories may be in any genre, but must have been written in response to one of the images on the 1000words Pinterest Board. We do not accept poetry.
Put your flash-fiction and the following information into a Word document and email it to submissions@1000words.org.uk:
  1. Your name/pen name.
  2. Your email address.
  3. The address of the website/blog/twitter account/facebook page etc to which you’d like your (pen)name linked.
  4. The number of the image you have chosen as your prompt along with the name of its photographer (e.g. No. 35 by Anirudh Koul).
  5. The title of your story.
  6. The word count of your story.
By submitting a flash-fiction, you are giving 1000words the right to publish your story on this website, and you are confirming that you have not plagiarised or unlawfully copied your work from another source. Stories must not have been previously published on-line or in print. Simultaneous submissions will not be considered.
Successful flash-fictions will be published on this website throughout the year. If your story is accepted you will receive a 1000words virtual badge to display on your own website or blog.




Please read the FAQ for more information.

brokenpencil » Deathmatch 2013

brokenpencil » Deathmatch 2013


New Prize. New Challenge. Same Bloodthirsty Prose
Every year the Indie Writers’ Deathmatch receives tens of thousands of visits from readers all across the planet, determined to cast their vote, pen their comments and do anything they can to see their favourite story win. This time, with the stakes higher than ever, the battles are sure to be more savagely fought than ever before.
Entries are now open for the writing contest that’s like no other. Deathmatch never fails to surprise, entertain, and break new ground.
A contest like no other. Short stories contests are everywhere, but there’s nothing like The Deathmatch. This year we take the world’s biggest baddest online writing contest to a whole new level with a new top prize and a new twist to the rules!
NEW TOP PRIZE: A Complete Indie Writer’s Makeover!
This year the Deathmatch winner gets a complete indie writer’s makeover which includes a consultation withliterary agent Sam Hiyate of the Rights Factory, a feedback session with novelist and Globe and Mail columnist Russell Smith and a feedback session with Coach House Books, one of Canada’s top independent publishing houses. All this plus publication in Broken Pencil and cash!
The top 3 runners-up get $100 and publication in Spring 2013 issue of Broken Pencil Magazine!
NEW Rule for the 2013 edition of DEATHMATCH:
All writers who win their first round will have 24 hours to submit a revised version of their story before the next round. All DM round 1 winners must submit a story revision they cannot use the round one story in round two without revisions. The BP editors will determine, in consultation with the online community of voters and commentators, which version of the story will ultimately appear in Broken Pencil.
Check here for complete contest rules and regulations.
Deadline to enter: December 31, 2012
ABOUT DEATHMATCH: Since 2008, Broken Pencil: the magazine of zine culture and the independent arts, has been running one of the world’s most audacious short story contests. In the Indie Writers’ Deathmatch, the top eight submitted stories as selected by Broken Pencil are pitted against each other two by two. Each week, two stories will be pitted against each other in the online arena, where anyone and everyone can read them and vote on which one deserves to reign supreme. The authors will be in constant communication with their audience through a blog which they can use to hype up their own story, or trash-talk their opponent’s writing. The winning story moves on to the next round until there are only two stories left, battling it out for ultimate victory! With over 25,000 votes cast, the Deathmatch is a high stakes struggle for literary bragging rights! Don’t believe us? Check out past years of Deathmatch insanity — 2010 is here,2011 is here and 2012 is here.

Etgar Keret Recommends Janet Frame

Loved this story about writing... or not writing... either way it's beautiful.

Etgar Keret Recommends Janet Frame